The dragon awakes. Stretching,
with a rattle of scales, he yawns.
The sun, rising
in the east, is red.*
At seven in the morning
the Imperial City is alive
beneath the lifting night shroud
of coal smoke
Japanese cars have replaced
ten million bicycles.
The stone lions keep watch
over Tien-an-min;
in their snarls, surprise
at Chang’An traffic.
The masses sport Gucci,
Dior, where once blue ruled.
Hot breads, tea, and tai chi
still prevail.
In the Western Hills
the Buddhas watch, bells tinkling,
a delayed Industrial Revolution
struggling, growing.
In the compounds and factories
where once loudspeakers preached
Party lines, headlines in low fidelity,
CD stereos play.
MTV replaces the Red Book.
Children march in day care centres:
sailing the educational seas
no longer depends on the Helmsman.*
The dragon,
eyes weak with sleep,
cannot yet see beyond his lair.
Hunger rumbles in his vitals,
and soon he must roam
beyond his hills.
* In the 1960s and early 70s, two of the songs heard most frequently over public loudspeakers throughout China were The East Is Red, and, Sailing the Seas Depends on the Helmsman (a reference, of course, to Chairman Mao). jdf
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